On January 17, 2022, FFmpeg released FFmpeg 5.0, called Lorentz. To celebrate and to help introduce new users to the power and ease of FFmpeg, I created this entry-level tutorial for single and ...

Since you already have everything lossless, it doesn't really make much difference. I would do them at 128 or 160, and then re-do any at a higher bitrate if you can hear artifacts on those tracks ...

After three years or so in gestation, per-title encoding is becoming a required feature on most encoding platforms, whether in-house software or SaaS cloud providers. In this buyers' guide, we'll ...

Now that we've looked at how to playback HEVC-encoded files, it's time to create them. There are a whole collection of tools and utilities that can encode HEVC, but in this article I'm going to focus ...

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. Last year the Beeb introduced new high-definition encoders which cut the broadcast bit-rate by 40 ...

I have a TV channel that runs at 720/60fps progressive. Much of the content is 24fps sourced, so I usually do an Inverse Telecine (IVTC) to get get back to 24 FPS, when I compress for storage. Just ...

We continue to report on an issue where users are unable to playback seemingly properly compressed video generated by a variety of applications -- including QuickTime Pro 7.0.3 and other applications ...

The story of compression in live broadcast production is a long, complex and ongoing one. But a new white paper from Sony Group company Nevion, entitled Video Encoding in Live Broadcast Production, ...

In this paper, we introduce the world’s first 8K 120-Hz video real-time encoder and decoder that complies with ARIB STD-B32 1) . We evaluated the coding efficiency and demonstrated that 8K 120-Hz ...